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Tall Expo Vase by Nils Landberg for Orrefors, 1950s

  • Tall Expo Vase by Nils Landberg for Orrefors, 1950s 1
  • Tall Expo Vase by Nils Landberg for Orrefors, 1950s 2
  • Tall Expo Vase by Nils Landberg for Orrefors, 1950s 3
  • Tall Expo Vase by Nils Landberg for Orrefors, 1950s 4
  • Tall Expo Vase by Nils Landberg for Orrefors, 1950s 5
  • Tall Expo Vase by Nils Landberg for Orrefors, 1950s 6
  • Tall Expo Vase by Nils Landberg for Orrefors, 1950s 7
  • Tall Expo Vase by Nils Landberg for Orrefors, 1950s 8
  • Tall Expo Vase by Nils Landberg for Orrefors, 1950s 9
  • Tall Expo Vase by Nils Landberg for Orrefors, 1950s 10
  • Tall Expo Vase by Nils Landberg for Orrefors, 1950s 11

About This Piece

Vintage Design

This is an Orrefors expo tall tulip vase designed by Nils Landberg. It is a wonderful glass with exceptional red color that collaborates with the clear glass. There is a beautiful top on this vase. It is signed: Orrefors Expo 2535.
* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Nils Landberg
Manufacturer Orrefors
Design Period 1950 to 1959
Production Period 1950 to 1959
Country of Manufacture Sweden
Attribution Marks This piece has an attribution mark such as a manufacturer’s label, a certificate of authenticity, or a production mark
Style Midcentury
Detailed Condition Very Good — This vintage item has no defects, but it may show slight traces of use.
Restoration and Damage Details Light wear consistent with age and use
SKU UYK-429153
Materials Colored Glass
Color White, red
Height 38 cm 38 cm
Diameter 7 cm

Shipping & Delivery

Ships from Sweden
Returns Returns accepted within 14 days of delivery, except for Made-to-order items

Delivery Details

  • Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
  • You will receive a tracking number to monitor the status of your shipment.
  • Delivery will take place between 9am and 5pm, Monday to Friday.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Maker

Orrefors

Swedish glassworks Orrefors derives its name from the forested, Småland village where it was founded—a site of artisanal and industrial production since the 18th century. In the 20th century, the name Orrefors would go on to become synonymous with fine Swedish glass.

In 1897, merchant Johan August Samuelson purchased the village’s ironworks and sawmill complex and introduced glass production the following year—initially producing everyday medical and domestic glassware like bottles and jars. When industrialist Consul Johan Ekman became Orrefors’s new owner in 1913, he appointed Albert Ahlin to manage the glassworks facilities. Ahlin sparked a new era of Swedish glass production when he acquired the Sandvik glassworks under the Orrefors umbrella and brought in skilled artisans and designers to develop new collections.

In 1914, Orrefors began manufacturing crystal. Shortly after, glass masters Simon Gate and Edward Hald came on board to design new patterns and forms, with a focus on etching and overlay techniques. The two also began to experiment with the innovative Graal (grail) technique, which was developed at Orrefors by master glassblower Knut Bergqvist. By 1917, Gate and Hald introduced engraved, figurative patterns.

Orrefors’s reputation for excellence spread internationally in the mid-1920s; first as a result of the Orrefors presentation at the Gothenburg Exhibition in 1923, and then through participation in the landmark Exposition Internationale des Arts Décoratifs in Paris in 1925, where Orrefors and the artists themselves were awarded the Grand Prix. The company grew and expanded its product lines.

In 1928, designer-artist Vicke Lindstrand joined Orrefors and introduced a more sculptural, more modernist aesthetic. Following the success Orrefors and Lindstrand found at the 1930 Stockholm Exhibition, the company would become increasingly associated with simple and subtle forms through the postwar era. In 1946, Orrefors hired architect-designer Carl Fagerlund to expand its crystal lighting offering. 

Over the years, Orrefors designers developed a number of new glass making techniques. Vicke Lindstrand and Edvin Öhrström introduced Ariel in the 1930s; while the 1940s saw Sven Palmqvist’s Kraka and Ravenna techniques. Nils Landberg’s slender Tulpan (1957) and Ingeborg Lundin’s delicate Äpplet (1955)—both icons of midcentury modern Swedish design—were created using the Fuga technique. The 1960s are associated with Gunnar Cyrén’s Pop glass, and since the 1970s, designers such as Olle Alberius, Eva Englund, Lars Hellsten, Anne Nilsson, Erika Lagerbielke, Helen Krantz have all contributed to Orrefors’s rich heritage.

Today the company operates as Orrefors Kosta Boda AB and is the largest glassworks group in Scandinavia. It develops, produces, and distributes a wide range of utility and art glass for private and public use. Since 2005, Orrefors Kosta Boda AB has been part of New Wave Group, which works with several brands in the consumer and corporate market in the areas of sport, leisure, furnishings, and gifts.

The Orrefors glassworks facilities in Orrefors closed in 2013. The Orrefors Museum is still there, open during the summer.

SEK 15,969
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