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Mid-Century Table Lamp by Hans Bergström for ASEA, Sweden, 1940

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  • Mid-Century Table Lamp by Hans Bergström for ASEA, Sweden, 1940 1
  • Mid-Century Table Lamp by Hans Bergström for ASEA, Sweden, 1940 2
  • Mid-Century Table Lamp by Hans Bergström for ASEA, Sweden, 1940 3
  • Mid-Century Table Lamp by Hans Bergström for ASEA, Sweden, 1940 4
  • Mid-Century Table Lamp by Hans Bergström for ASEA, Sweden, 1940 5
  • Mid-Century Table Lamp by Hans Bergström for ASEA, Sweden, 1940 6
  • Mid-Century Table Lamp by Hans Bergström for ASEA, Sweden, 1940 7
  • Mid-Century Table Lamp by Hans Bergström for ASEA, Sweden, 1940 8
  • Mid-Century Table Lamp by Hans Bergström for ASEA, Sweden, 1940 9
  • Mid-Century Table Lamp by Hans Bergström for ASEA, Sweden, 1940 10
  • Mid-Century Table Lamp by Hans Bergström for ASEA, Sweden, 1940 11
  • Mid-Century Table Lamp by Hans Bergström for ASEA, Sweden, 1940 12

About This Piece

Vintage Design

Genuinely nice Swedish table lamp made in the 1940s for ASEA and designed by Hans Bergström. With a brass base and a hard plastic rod leading up to an opaline glass. Good vintage condition with some wear consistent with age and use, base with marks but can be polished. Measurements: H 56 cm with opaline glass 38 without, D 18 top of glass and 18 cm at bottom.

Click here for full description Close description

* The cable of this item may be original and might need replacement, if not specified otherwise.

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Hans Bergström
Manufacturer ASEA
Design Period 1920 to 1949
Production Period 1940 to 1949
Country of Manufacture Sweden
Identifying Marks This piece is attributed to the above-mentioned designer/maker. It has no attribution mark
Style Vintage, Midcentury
Detailed Condition Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs.
SKU UYK-1114167
Restoration and Damage Details
Some marks on base
Materials Brass, Glass, Opaline Glass, Wood
Color Clear
Height 54 cm 54 cm
Diameter 17 cm
Weight Range Standard — Between 40kg and 80kg

Shipping & Delivery

Ships from Sweden
Returns Returns accepted within fourteen days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Delivery Details

  • Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
  • You will receive a tracking number to monitor the status of your shipment.
  • Delivery will take place between 9am and 5pm, Monday to Friday.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Creator

Hans Bergström

Swedish architect-designer Hans Bergström was born in 1910 in Karlshamn. After completing secondary school in 1927, he worked for several years at the Ystad-Metall metal manufactory in Ystad, where he designed lamps, mirrors, bottles, jars, and bowls. In 1929, he enrolled in Stockholm’s Konstindustriell Skola (now known as Konstfack), notably designing a chandelier (1932) for a church in Iggesund for his thesis project. After graduating in 1933, Bergström returned for a short time to Ystad-Metall before establishing his own lighting firm, ateljé Lyktan, in 1934 in Helsingborg. In 1935, he and his wife Vera relocated the atelier to Åhus, on Sweden’s southeast coast. Not long after, Bergström also established a showroom in neighboring city Kristianstad.

Guided by the mantra, “Light must be white and shine freely,” he designed and produced functional yet modern fixtures that were intended to brighten up entire spaces. Bergström was ateljé Lyktan’s creative director for three decades, and, up until the beginning of the 1960s, the company’s sole designer. A great many of Bergström’s designs were one-offs, numbered but nameless.

During the 1940s in Sweden, cage lamps were widely popular, often featuring plant or animal motifs as appliques to the structure. Examples from Bergström include his Model no. 3 (1930s) and Model no. 5C (1940s). In the mid-1940s, Bergström began designing lights with fabric lampshades as an alternative to metal, which was in short supply due to the war. With the introduction of plastic in the 1950s, Bergström experimented with new lighting techniques. He developed a new method that involved spraying plastic threads onto a rotating wire frame, which resulted in both a patent and the spherical Model no. 166 Light (1952). A somewhat similar technique would later be used by the Castiglioni brothers for their cocoon-like Viscontea Lamp (1960), Taraxacum Chandeliers (1960), and Gato Table Lights (1960) for Flos.  

Bergström is most well-known for his minimalist Model 181 Lamp (1950), also known as Struten, which was awarded a Gold Medal at Milan’s Triennale in 1954. The lamp was a favorite of his friend, Swedish architect-designer Bruno Mathsson (1907-1988), who decorated his home with many of Bergström’s designs. Other acclaimed Bergström designs include the Harlekin Series (1958), which included pendant lamps  in several sizes and shapes; the Model 100L (1958), known as Ofir today, inspired by an upturned ceiling rose; and the Model no. 569 Giraffen Floor Lamp (1950s).

Sometime in the early 1960s, Bergström retired and Philips’s Design Manager, Anders Pehrson, became ateljé Lyktan’s Head of Operations in Åhus, steering the company away from bespoke services toward mass production.

Bergström passed away in Karlshamn in 1996. In 2009, ateljé Lyktan celebrated its 75th anniversary and published the retrospective book Ljuset ska vara vitt och lysa fritt–Historien om ateljé Lyktan by Johan Jansson and Staffan Bengtsson. Some of Bergström’s designs remain in production with ateljé Lyktan today—and hundreds (dating back to 1934) are catalogued in the ateljé Lyktan’s archives.

About the Maker

ASEA

An acronym for Allmänna Svenska Elektriska Aktiebolaget (in English, the “General Swedish Electrical Limited Company”), ASEA was a Swedish manufacturer of electrical products and industrial infrastructure. While broadly known for the more large-scale parts of the catalog—e.g., steam turbines for power plants, high-speed locomotives for passenger railroads, etc.—ASEA endures in hearts of design lovers for their midcentury interior lighting collections produced in collaboration with venerated designers like Gunnar Asplund and Hans Bergström.

Formally founded in 1893 by Ludvig Fredholm, ASEA was established in industry-friendly Västerås, a central Swedish city with favorable access to railways and hydroelectric power. The company spent its first decades exclusively producing generators and motors for partner Jonas Wenström’s “three-phased” electric power systems, a revolutionary first variation on what is now the most common method used by electrical grids worldwide to transfer power. Although this kind of heavy equipment would form the basis of the company’s 20th-century output, in 1911 ASEA began to develop more lightweight products, including lighting fixtures for the Swedish home.

Its production most prolific from the 1930s through the 1960s, ASEA’s lighting design spanned desk, table, floor, and wall lamps, as well as chandeliers, pendants, and other ceiling lights. While many of ASEA’s lighting designs remain unattributed, there are notable exceptions: Lisa Johansson-Pape’s opaline-glass Onion series, for instance, for which Johansson-Pape was awarded the gold medal at 1954’s Triennale di Milano. Other standout series include Svend Aage Holm Sørensen’s five-armed chandelier (ca. 1950s) and Space Age-style table lamps (1950s); and an array of brass pieces by Hans Bergström, who, while heading Ateljé Lyktan for three decades (1940s, through the 1960s) contributed widely to the ASEA catalog.

ASEA persisted in the Swedish lighting industry until its merger with the Swiss company Brown, Boveri & Cie (BBC) in 1988, which resulted in the ABB group.

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