Large Ceremonial Fragrance Vessel by Oikos Estudio

Large Ceremonial Fragrance Vessel by Oikos Estudio x Matter Edit Handmade Dimensions: Ø 39 x H 9 cm Materials: Clay and experimental glazing Each piece is unique and might show slight variations in color, size, and shape. The Small Ceremonial Fragrance Vessel holds the collection’s ritual thread in a compact form—an object shaped by the long history of scent as offering. Across cultures, aromatic oils and resins have been held, warmed, and presented in vessels to mark threshold moments: hospitality, protection, devotion, remembrance. Reimagined for contemporary use, it is a practical diffuser designed to take fragrance oils and softly disperse them to enrich your environment. A quiet ridge line—most visible in silhouette—acts like an architectural datum, giving the piece its calm tension and sense of containment. Handbuilt by Pascale Zintzen (Oikos Estudio) from Matter Edit’s creative direction and finished with brushed experimental glazes using wild pigments, each vessel carries natural variation in surface and tone. No two are identical; the differences are the point. London-based studio Matter Edit, working across antiques, design objects and material culture, and Barcelona-based ceramicist Pascale Zintzen of Oikos Estudio present *Artefacts of Shelter*, a collaborative ceramic collection exploring architecture, anthropology and the origins of dwelling. Rooted in a shared interest in material culture, history and form, the collection reflects on how objects have long shaped—and been shaped by—the ways humans live. “Before there were cities, there were vessels. To understand our structures, we must first hold them in our hands.” — Matter Edit Long before walls rose or cities spread, the first architecture was shaped by hand. Clay vessels—formed from earth and fire—held water, grain, scent and offerings. These objects were not only functional but also symbolic: early markers of dwelling, ritual and identity. *Artefacts of Shelter* examines the parallels between architecture and anthropology—how the spaces we build and the objects we shape reflect systems of storage, shelter and human connection across cultures and time. At the core of the collection are three clay vessel designs, each responding to a fundamental human need: a liquid vessel, a dry storage vessel and a ceremonial fragrance vessel. Developed from long-standing traditions of use and reimagined through a contemporary lens, the forms draw on anthropological references—from both vessels and architectural structures—across diverse regions, highlighting recurring gestures and shared structural logics that emerged independently across cultures. Though varied in reference, the vessels form a cohesive family. Developed from Matter Edit’s initial creative direction and brief, each piece is then interpreted and hand-built by Pascale, patiently shaped over time, and finished with brushed experimental glazes using wild pigments. This process allows for natural variation in form and surface, making every vessel exclusive and one of a kind while remaining unified through shared proportion and intent. While their function may shift in a modern context, the vessels retain their symbolic origins, offering a quiet continuity between past and present, utility and ritual, object and shelter. OIKOS Estudio from Pascale Zintzen Pascale is a multidisciplinary artist based in Barcelona and El Perelló, where she lives with her two kids and dog. She works on ceramic, tapestry, and painting. Pascale's work is inspired by Wabi-Sabi, childhood, and the Mediterranean atmosphere. Her practice is characterized by slow manufacturing, strongly inspired by nature, respecting the times and processes that each piece needs.