The Adoration is an Original Modern Artwork Realized by Giuseppe Asreto (Daed in Genoa in 1650) in The First Half of the 17th Century. Original Oil Painting On Canvas. At 19th Century Style Gilded Wood Frame IS Included. The autograph of the work was confirmed by Camillo Manzitti. Very good conditions. The Frame is in Excellent Conditions Too. Reference: C. Marcenaro, Genoese painters in Genoa in the 17th and 17th centuries, Genoa 1969, pp. 134; 135, n. 55. Z. Wazbinski, A Caravaggesque painting by Gioacchino Assereto, in perspective, n. 26, 1981, pp. 60; 63. F. R. Pesenti, Painting in Liguria. Artists of the early seventeenth century, Genoa 1986, p. 397, note 23. A. Gesino, Traces of Matthias Stom in the collecting between Sicily and Genoa, in Caravaggio and the Genoese, catalog of the exhibition edited by A. Orlando, Genoa 2019, pp. 182; 195. The Adoration is an excellent Example of the XVII Century Italian Painting. The Style of the Work Denotes The suggestive Influence of Assereto Father's Mature Production, When influenced by Mathias Stom (Amersfort, About 1600 - Sicily, After 1650) Expresses Dark Sensitivity in A Southern Italian Style. In His Works, However, There is an accentuated Naturalism and Interesting Similarities with the Production of Giovanni Benedetto Castiglione. Gioacchino Assereto Diaed in 1650, While, According to Soprani, he was intent on Painting A Last Super For the Oratory of S. Giacomo della Marina. In Our Case, However, There is a Moretuated Naturalism and Interesting Similarities with the Production of Giovanni Benedetto Castiglione. The Canvas Finds Specific Comparisons with Other Composses by the Master, in Particular with That of the Emilian Private Collection Made Known by Tiziana Zennaro, but we must also remember here the canvases of the same subject Almedy Published as Autographs by Assereto by Wazbinski in 1981 and 1981 and 1981 and Caterina Marcenaro in the Catalog of the 1969 Exhibition, Presserved at the Zeromski Muzeum in Poland and in A Private Genoese Collection. The Painting Reveals Pictorial Contempt of Higher Quality and in Substance Different from the Emilian Version, Finding Better Points of Comparison with the Genoese Editorial Staff, in Particular If We The Infant Jesus and the Faces of the Figures. These clues consequently lead to date the work Around 1650 and probably performed When Giuseppe Carried Out His Activity in His Paternal Workshop And With Him He Experience the Fascinating Nocturnal Settings. The Work Has Been Created by Giuseppe Asreto (Best Known As "The Master of the Oratory of San Giacomo alla Marina") Son and Pupil of the More Famous Gioacchino Assereto is Also Known As the "Master of the Orator of San Giacomo alla Marina" , Which Houses Most Famous Famous Painting the Preaching of San Giacomo (Around 1650). Small Biographical Information is probably two to his short life.
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